Tocar cada sonido como si no hubiese habido ninguno antes, ni fuese a haber ninguno después
KOTO
Ackermann, Peter, Studien zur koto-musik von Edo, STMT, Vol. 6, 1986.
Adriaansz, Willem, The Kumiuta and Danmono, Traditions of Japanese Koto Music, Berkley, University of California Press, USA, 1973.
Gunther, Robert, y Mabuchi Usaburo, Quellen zur Kammermusik der Edo-Zeit, STMJ, Vol. 3, 1985.
Ikutaryu sokyoku zenshu, Hogakusha, Tokyo, 1983-84. 4 vols.
Johnson, Henry, The Koto: A traditional Instrument in Contemporary Japan, Hotei Publishing, Amsterdam.
Kikkawa, Eishi, The History of Japanese Koto Music and Ziua, con dos CDs. Tranducción con suplementos de Leonard C. Holvik, ed. de Yamaguti Osamu, Mita Press, Tokyo, 1997.
Matsuda, Toshu, Sokyoku kashi kaimei, Hogakusha, Tokyo, 1983. “An Elucidation of the History of Koto Vocal Chamber Music.”
Sokyoku to jiuta, TOS, Vol. 3, 1967. “Música Koto y Jiuta.”
Tsuge, Genichi, Anthology of Sokyoku and Jiuta Song Texts, Academia Music, Tokyo, 1983.
Wade, Bonnie, Tegotomono, Music for the Japanese Koto, Greenwood Press, Westport, Conn. and London, 1976.
Yamadaryu sokyoku gakufu, Hogakusha, Tokyo, 1957-. “Notación de Koto del Estilo Yamada.”
Yamazaki, Shinko, Yatsuhashiryu koto kumiuta no kenkyu. Kikkawa Eishi, ed., Zenongakufu Shuppansha, Tokyo, 1988. “Un Estudio sobre Kumiuta en la Escuela Yatsuhashi de Koto.”