ARTES ESCENICAS

  • AA. VV., The Noh Drama: Ten Plays, Selected and Translated from the Japanese, Vol. 1. Tokyo: Charles E. Tuttle, 1955. Vols. 2 y 3 se titulan “Japanese Noh Drama”. Tokyo: Nippon Gakujutsu Shinkokai, 1959, 1960.
  • Ando Tsuruo, Runraku, The Puppet Theater, Performing Arts of Japan I, New York and Tokyo, Walker/Weatherhill, 1970. 272 p.
  • Bethe, Monica, and Brazell, Karen, Dance in the No Theater, Vol. 29. Cornell East Asia Papers. Ithaca: Cornell University China-Japan Program, 1982.
  • Bethe, Monica, and Emmert, Richard, Noh Performance Guide, Vol. I. Tokyo: National Noh Theater, 1992.
  • Birch, Cyril, Scenes for Mandarins: The Elite Theater of the Ming, Harvard University Press, 1999.
  • Brandon, James, Kabuki: Five Classical Plays, University of Hawaii Press, Honolulu, 1992.
  • Brandon, James, Malm, W., y Shively, D., Studies in Kabuki, University of Hawaii Press, Honolulu, 1978.
  • Brown, Steven, Theatricalities of Power: The Cultural Politics of Noh, Stanford University Press, USA, 2001.
  • Clarence Scott, Adophe, The Kabuki Theatre of Japan, Dover Publishers, 1999.
  • Crump J.I. and Malm W.P. (ed.), Chinese and Japanese Music-Dramas, Michigan Papers in Chinese Studies, No. 19, Ann Arbor, Center for Chinese Studies, The University of Michigan, 1975. 255 p.
  • De Poorter, Erika, Zeami’s Talks on Sarugaku, Hotei Publishing, 2002.
  • Emmert, Richard, Hiranori, in Musical Voices of Asia, The Japan Foundation, Tokyo, 1980.
  • Emmert, Richard, The Maigoto of No- a Musical Analysis of the Chu no Mai, in Yearbook for Traditional Music, Vol. 15, 1983.
  • Ernst, Earle, The Kabuki Theater, University of Hawaii Press, Honolulu, 1956.
  • Gerstle, C. A., Inobe, K., y Malm, W. Theater as Music. Ann Arbor: Center for Japanese Studies, 1990.
  • Halford, Aubrey, The Kabuki Handbook, Charles E. Tuttle, Tokyo, 1956.
  • Hoff, Frank, Song, Dance, Storytelling: Aspects of the Performing Arts in Japan, Cornell University Press, Ithaca, 1978.
  • Inoura Yoshinobu and Kawatake Toshio, The Traditional Theater of Japan, Tokyo, The Japan Foundation, 1981. 259 p.
  • Keene, Donald, Noh and Bunraku. Two forms of Japanese Theatre, Columbia University Press, New York, USA,1990(1965,66).
  • Keene, Donald (ed.), Twenty Plays of the Noh Theatre, Columbia University Press, New York, 1970.
  • Keene, Donald (trans.), Chushingura – The treasury of Loyal Retainers, Columbia University Press, New York, 1971.
  • Keene, Donald (trans.), Major Plays of Chikamatsu, Columbia University Press, New York, 1961.
  • Kineya, Eizaemon, Kabuki ongaku shusei, Kabuki Ongaku Shusei Kankokai, Tokyo, 1976 (Una Recopilación de Música Kabuki).
  • Komparu, Kunio, The Noh Theater, Weatherhill, Tokyo, 1983.
  • Leiter, Samuel (ed.), Kabuki Encyclopedia, Greenwood Press, London, 1979.
  • Malm, William P., Nagauta, The heart of Kabuki Music, Tuttle, Tokyo,1963.
  • Masakatsu, Gunji, Kabuki, Kodansha International, Tokyo, 1985 (1969).
  • Masakatsu, Gunji, Buyo, The Classical Dance, Performing Arts of Japan III, New York, Tokyo and Kyoto, Weatherhill/Tankosha, 1970. 207 p.
  • Matsuyama, Yoshio, Studien zur No-Musik, Beitraege zur Ethnomusikologie 8, Hamburg, Karl Dieter Wagner, 1980. 407 p.
  • Miyake, Koichi, Fushi no seikai, Hinoki Shoten, Tokyo, 1955.
  • Miyake, Koichi, Jibyoshi seikai. Hinoki Shoten, Tokyo, 1954.
  • Miyake, Koichi, Shidai kara kiri made no utaikata, Hinoki Shoten, Tokyo, 1952.
  • Mochizuki, Tainosuke, Kabuki no geza ongaku, Engeki Shuppansha, Tokyo, 1975 (La Música en la Transescena del Kabuki).
  • Morita, Misao, Yokyoku mai hyoshi taisei, Yoshida Yokyoku Shoten, Osaka, 1914.
  • Nakamura, Yasuo, Noh, The Classical Theater, Performing Arts of Japan IV, New York and Tokyo, Walker/Weatherhill, 1971. 248 p.
  • Ortolani, Benito, The Japanese theatre : from shamanistic ritual to contemporary pluralism, Princeton University Press, Princeton, New Jersey, 1995.
  • Rath, Eric, The Ethos of Noh: Actors and Their Art, Harvard University Press, 2004.
  • Sekine, Masaru, Zeami and his Theories of Noh Drama, Colin Smythe, Great Britain, 1985.
  • Tamba, Akira, La structure musicale du nô, Éditions Klincksieck, France, 1974.
  • Tamba, Akira, The Musical Structure of Noh, Tokai Unviersity Press, Japan, 1975.
  • Tan, G. Jessica, (et. al.), Chinese Opera, Abbeville Press, 2001.
  • Toita Yasuji, Kabuki, The Popular Theater, Performing Arts of Japan II, New York, Tokyo and Kyoto, Weatherhill/Tankosha, 1970. 247 p.
  • Yokyoku, hyakuban y Nishino Haruo, (ed.), Iwanami Shoten, Tokyo, 1998.
  • Zeami, Kandensho: A secret book of Noh Art, Union Services Co, Japan, 1975.
  • Zeami, Fushikaden – tratado sobre la práctica del teatro Noh y cuatro dramas Noh, Trotta, Madrid, 1999.
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